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« Page 15 of 46 »Let's hope it comes off better than Field Day or Across the Narrows did.
At least, so says Editors lead singer Tom Smith. Here's a snippet of the interview I conducted with him yesterday.
I've also read that you personally are a big R.E.M. fan and last year the band recorded a great cover of "Orange Crush." How do rate their more recent records? I used to be a huge fan but they've lost me with the last few albums.
The first records are the records that I continue to listen to. I'm still intrigued by new R.E.M. material. I still think there are moments of greatness on all of their records, but I was disappointed by the last record. But I still listen to New Adventures In Hi-Fi quite a bit.
That is by far their most underrated record.
It's too long and there are too many songs on it but as far as ideas go, there are some great songs on there. It's a record they wrote and recorded on the road, which is quite an accomplishment. But yeah, they've had a bit of a shake up and now their recording with Jacknife Lee.
I think they needed things turned on its head. I've heard half of the record and it sounds like they're having fun. A lot of fun. And it sounds loud as well. I've only heard it once and it hasn't really sunk in yet, but yeah, I think they're doing the right thing.
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Head over to DCist early next week for the entire interview.
Editors are on currently on tour here in the States. They hit the 9:30 Club next Tuesday.
[mp3] Editors | Orange Crush
Me on Nov. 29th about In Rainbows:
"I think the big story here isn't the "pay what you want" sales model. It's the new time line for releasing records and figuring out how a band can take advantage of it. Instead of recording an album and sitting on it for four months while the label gets their marketing plan together, just release it for cheap on the internet (low bitrate files aimed squarely at people's iPods) as soon as it's done and then follow it up with the proper physical release when the label is ready. This way the band "leaks" their own album... "
Thom Yorke as interviewed by David Byrne:
Byrne: I'll start by asking some of the business stuff. What you did with this record wasn't traditional, not even in the sense of sending advance copies out to the press and such.
Yorke: The way we termed it was "our leak date." Every record for the last four — including my solo record — has been leaked. So the idea was like, we'll leak it, then.
Byrne: Previously there'd be a release date, and advance copies would get sent to reviewers months ahead of that.
Yorke: Yeah, and then you'd ring up and say, "Did you like it? What did you think?" And it's three months in advance. And then it'd be, "Would you go do this for this magazine," and maybe this journalist has heard it. All these silly games.
Byrne: That's mainly about the charts, right? About gearing marketing and prerelease to the moment a record comes out so that — boom! — it goes into the charts.
Yorke: That's what major labels do, yeah. But it does us no good, because we don't cross over [to other fan bases]. The main thing was, there's all this bollocks [with the media]. We were trying to avoid that whole game of who gets in first with the reviews. These days there's so much paper to fill, or digital paper to fill, that whoever writes the first few things gets cut and pasted. Whoever gets their opinion in first has all that power. Especially for a band like ours, it's totally the luck of the draw whether that person is into us or not. It just seems wildly unfair, I think.

Rueters has released their photos of the year. Pitchfork too.
Time for mine! Here are some of my favorite photos from my year in concerts.
Sidenote: The alternative title for this post was "I shot a shitload of bands this year."













Row One:
Superdrag, Ben Kweller, Pela, The Good, The Bad & The Queen, Jay-Z
Row Two:
My Chemical Romance, Velvet Revolver, LCD Soundsystem, Blood Baby, Kings of Leon
Row Three:
Ted Leo, The Good, The Bad & The Queen, The Hives, Peter Bjorn & John, Bad Brains
Row Four:
Morrissey, M.I.A., Jay-Z, The National
Row Five:
Bloc Party, Spank Rock, Wu-Tang Clan, Maroon 5
Row Six:
Morrissey, Bjork, Taking Back Sunday, The Arcade Fire
Row Seven:
H.I.M., Travis, Amy Winehouse, Andrew Bird
Row Eight:
These United States, Middle Distance Runner, The National, Silversun Pickups
Row Nine:
Common, Kenna, The Pipettes, Pela
Row Ten:
The Rosebuds, Be Your Own Pet, Silversun Pickups, The Bravery
Row Eleven:
Jet, Spoon, TV on the Radio, The Dance Party
Row Twelve:
Modest Mouse, Interpol, Snow Patrol, OK Go
Row Thirteen:
Bjork, Blood Baby, Incubus, These United States
Row Fourteen:
Spoon, The Yeah Yeah Yeahs, Wu-Tang Clan, Linkin Park
Row Fifteen:
Gruff Rhys, Wilco, Ben Harper, Panic! at the Disco
Row Sixteen:
Mew, The Decemberists, Middle Distance Runner, Nelly Furtado
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